"A Careful Cruelty, A Patient Hate": Degas' Bathers in Pastel and Sculpture Público

Fishman, Randi Lynn (2010)

Permanent URL: https://etd.library.emory.edu/concern/etds/hq37vp03h?locale=pt-BR
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Abstract

Abstract "A Careful Cruelty, A Patient Hate": Degas' Bathers in Pastel and Sculpture By Randi L. Fishman

This paper analyzes the themes of misogyny, sexual fantasy, and eroticism in Degas' Batherssculptures and pastels. Degas' Bathers series is a contemporary and cultural deconstruction of the nude as the ideal of feminine beauty, where the artist produces an erotic fantasy, informed by misogyny and contemporary values and practices regarding sexuality, prostitution, and bathing. I will argue that the Bathers series embodies epitomizes misogyny and eroticism in Degas' oeuvre in various and complex ways, situating my discussion in the contemporary context of late-nineteenth-century Paris. I will elucidate the complex nuances of Degas' Bathersseries, which have too often been overlooked by scholars. Engaging with contemporary context demands understanding both artistic intention and audience reception.

Table of Contents

Table of Contents
I. Introduction………………………………………………………………….........2
II. Literature Review………………………………………………………………...6
III. The Bathers in Context……………………………………………………..13
IV. The Bathers Pastels…………………………………………………………….21
V. The Bathers Sculptures………………………………………………………..40
VI. Conclusion - Degas' Bathers: Problems and Possibilities….55
VII. Appendix……………………………………………………………………….....57
VIII. Bibliography……………………………………………………………………..64

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