Dux Femina Facti: Gender and Ethnicity in the Aeneid Público
Burke, Rhiannon Christine (2011)
Abstract
Abstract
Dux Femina Facti: Gender and Ethnicity in the Aeneid
By Rhiannon Burke
The women of Vergil's Aeneid are among the poem's most
memorable characters. Readers and
scholars alike have given much thought to the doomed, love-struck
Dido in particular, and the
traditional interpretation of this character has been one that
positions her as a pitiable foil to
Aeneas, an antagonist who serves to underscore the necessity of the
imposition of Roman
civilization upon a disordered world. The second half of the 20th
century, however, saw a
reconsideration of the poem's more ambiguous elements and the
increasing popularity of a
reading that found in the Aeneid a challenge to Roman
imperialism. Greater attention has also
been given to the poem's large cast of female characters, extending
the analysis of the poem's
gender representations beyond Dido. A considerable amount of this
scholarship has focused
upon the negative gender stereotypes these characters embody.
Interest in the Aeneid's ethnic
representations has grown recently as well. I propose to take these
trends even further, by
examining the intersection of gender and ethnicity in the
Aeneid and the ways in which these
constructs, as presented by the poem, can be used to either glorify
or problematize the concept of
empire. The women of the Aeneid, while being used to
contrast Roman masculinity, also provide
an alternative to Roman imperial values.
Table of Contents
Table of Contents
Introduction 1
Chapter One: Dido 5
Chapter Two: Andromache 15
Chapter Three: Camilla 20
Chapter Four: Creusa and Lavinia 27
Conclusion 35
Bibliography 37
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