“A Sacramental Moment”: Liturgy and Time in the Victorian Reception of the Past Restricted; Files Only
Adamson, Christopher (Summer 2020)
Abstract
What is time? Following Boethius, Chaucer contrasts time with an eternity understood as the “perfect possession of interminable life.” In Hardy’s poetic cosmos, time is a monster that reduces everything to dust and “devour[s] our prime.” Subjective experience of time can be one of drudgery and antagonism, an inescapable phenomenon that always seems inferior to an imagined eternity. When reading these same authors with the insights of liturgical theology, however, we find that time is the medium of encounter composed of George Eliot’s “sacramental moment[s]” where characters and readers are invited to greet the human other with love.
My interpretive framework draws out theological implications contained in liturgical allusion. Often, we read liturgical allusions as giving a sense of the sacred, profaning the sacred in a subversive way, or merely reminding the reader of religious practice for an affective purpose. Each of these readings is accurate and productive, but I propose that we read more deeply by turning toward the underlying ritual purpose that enables these other readings. When a poet incorporates a liturgical echo into a text, whether as a parody or straightforward allusion, the function of that liturgy and its temporal assumptions influence the text.
This dissertation examines the importance of ritual in the Victorian reception of the medieval past. Specifically, I focus on how the Victorian obsession with liturgical structures and objects for literary purposes reveals the nature of their view of time. I examine liturgical usage in Geoffrey Chaucer’s Troilus and Criseyde, Thomas Hardy’s poetry and Tess of the d’Urbervilles, George Eliot’s Daniel Deronda, and the poetry of Gerard Manley Hopkins. I begin with a chapter presenting Chaucer as a medieval model of liturgical time that endures through the Victorians, and end questioning how the central purpose of a liturgy (communion with the divine other through a human community) both remains consistent and changes through use by secular Victorian writers. Understanding the use of liturgical forms in Victorian texts enables a more nuanced view of literature than the secularization narrative provides and informs the way we currently receive the Victorian past or wield medieval discourses ourselves.
Table of Contents
Introduction ................................................................................................................................. 1
“A Sacramental Moment”: Inhabiting the Liturgical Turn
Part I .......................................................................................................................................... 29
Lex Orandi, Lex Credendi: Relating the Law of Prayer to the Law of Belief
Chapter 1 ................................................................................................................................ 30
The Carnivalesque Power of Pagan Rites in Chaucer’s Troilus and Criseyde
Chapter 2 ................................................................................................................................ 85
The Cosmic Maid and Mother in Gerard Manley Hopkins’s Poetry and Thomas Hardy’s Tess of the d’Urbervilles
Part II ...................................................................................................................................... 139
Lex Vivendi: The Law of Right Living
Chapter 3 .............................................................................................................................. 140
The Eternal Process of Burying God: Thomas Hardy’s Anatheistic Poetry
Chapter 4 .............................................................................................................................. 173
Encountering the Other through Sacramental Moments in George Eliot’s Daniel Deronda
Part III ..................................................................................................................................... 206
Lex Pulchritudinis: The Law of Beauty
Coda ..................................................................................................................................... 207
“After, After”: The Future Communion of a Liturgical Literary Studies
Glossary .................................................................................................................................. 224
Works Cited ............................................................................................................................ 226
List of Tables and Figures
Figure 1 ..................................................................................................................................... 20
Messianic and Liturgical Time
Figure 2 ..................................................................................................................................... 32
The Seeds and Fruits of English Poetry by Ford Madox Brown
Table 1 ...................................................................................................................................... 36
Comparison of Sarum Missal to Liturgical Echoes in Troilus and Criseyde.
About this Dissertation
| School | |
|---|---|
| Department | |
| Degree | |
| Submission | |
| Language |
|
| Research Field | |
| Keyword | |
| Committee Chair / Thesis Advisor | |
| Committee Members |
Primary PDF
| Thumbnail | Title | Date Uploaded | Actions |
|---|---|---|---|
|
|
File download under embargo until 18 August 2026 | 2020-07-05 00:19:19 -0400 | File download under embargo until 18 August 2026 |
Supplemental Files
| Thumbnail | Title | Date Uploaded | Actions |
|---|