Hayati: My Life / My Love - A queer Middle Eastern and North African archive Público

Aldayeh, Noor (Spring 2023)

Permanent URL: https://etd.library.emory.edu/concern/etds/rf55z8965?locale=es
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Abstract

Global discussions of intersectional issues pertaining to marginalized identities have without a 

doubt seen a rise in contemporary spaces, especially that of film and media, in regard to 

representation within the field. One particular group which has had little to no time in this 

spotlight, however, would be that of queer Middle Eastern and North African (MENA) 

individuals. In the few cases where this group is in fact discussed, it often tends to be a 

conversation centering the experiences of queer MENA men – still then operating in a 

framework outside of the patriarchy. At large, representation of the MENA region and their 

people in Western spaces (disregarding queerness) still suffers greatly from outdated, negative 

stereotypes and downright harmful ideologies that have perpetuated detrimental 

misinformation spreading to non-MENA audiences (see: Edward Said’s Orientalism). MENA 

folks are still fighting to get any representation that doesn’t depict our people and land as 

“backwards,” therefore making the stride towards any more nuanced depictions seem 

incredibly out of reach. 

The title of this work is the Arabic word ‘Hayati.’ In a literal sense, it translates to “My Life.” 

Colloquially, it is used as a term of endearment – often used in the same context as you would 

in calling someone “my love.” In this project, I will show the complexity of this double meaning 

which directly speaks to the nuanced identity and belonging represented within my body of 

work. I have created a photography exhibit solely featuring queer MENA women and gender 

non-conforming individuals living in America – in an attempt to bring forward a group that 

audiences have likely never seen explicitly before. This identity lies at the intersection of 

multiple marginalizations, tackling queerness, gendered dynamics, as well as ethnic struggles all 

as they pertain to one individual’s experience. The goal of this project is, at its core, to show 

that people of this identity do in fact exist, and even further than that, deserve to be seen and 

talked about. The public record of individuals from this identity is abysmal and often difficult to 

access; queer Arab studies remains a field that is wildly niche and scarce in its resources. There 

is much progress to be made both in MENA and Western spaces, in the treatment of these 

individuals within our societies. It is my firm belief, however, that in order to have these 

conversations, we need to know about their existence first. This project aims to be an initiating 

catalyst in this necessary discussion.

Table of Contents

I. Introduction 

II. Reel Bad Arabs by Jack Shaheen & Orientalism by Edward Said

III. History of Sexuality in the Arab World: The Book, as well as the Concept

IV. Female Homosexuality in the Middle East by Samar Habib

V. Birth of project and beginnings of the Creation of Hayati 

VI. The Middle East in the Media: Conflicts, Censorship and Public Opinion edited by Arnim 

Heinemann, Olfa Lamloum, and Anne Francoise Weber

VII. The Critical Image: Essays on Contemporary Photography edited by Carol Squires

VIII.Safe Spaces & Dual Nature of Portraiture in the Project

IX. Finding & Meeting the Hayati participants 

X. Exhibit Materials – Final Twelve Images 

About this Honors Thesis

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