Pleasing: The Patriarchal Pleasure Hierarchy Revealed in 2010s Coming of Age Films Open Access

Abstract

How often is young female pleasure depicted and valued as much as male pleasure in American film? Film often reflects a patriarchal pleasure hierarchy that presents the male sexual experience as more important than that of females. Even female-focused films are guilty of this. Coming of age films with young female protagonists have an opportunity to subvert dominant social ideologies around gender and sexual pleasure. They can show real girls coming of age and into their sexualities that they deserve pleasure as much as anyone else. In this thesis, I analyze when and how six coming of age films from 2011 to 2019 present and respect authentic female pleasure. Representing these exceptions in film and scholarship is integral in order to make young female pleasure a norm rather than an anomaly. Still, these films mirror norms of the patriarchal pleasure hierarchy at times as well. In Chapter 1, I examine how The Diary of a Teenage Girl (Marielle Heller, 2015) and Eighth Grade (Bo Burnham, 2018), while giving the protagonists power over their desires, represent their drive to please others rather than to seek pleasure. In Chapter 2, I explore the ways Booksmart (Olivia Wilde, 2019) and Pariah (Dee Rees, 2011) display how platonic and familial discourse around sex can reinforce or challenge the patriarchal pleasure hierarchy. Finally, in Chapter 3, I analyze how Lady Bird (Greta Gerwig, 2017) and Yes, God, Yes (Karen Maine, 2019) show the possibility of positive dialogue on sex counteracting the impact religious power structures can have on sexual shame. This thesis will contribute to a future in which it is common for sex in films, and scholarship about sex in film, to prioritize young female pleasure at least equally to that of males. All of the protagonists in the films learn that their authentic selves matter, including when it comes to sex and pleasure. All girls deserve to know this.

Table of Contents

Introduction 1

-Coming of Age Film 2

-Screening Sex Informing Ideas of Sex 5

-Patriarchal Pleasure Hierarchy 9

Chapter 1: Female Sexuality for Others 22

-Statutory Pleasure in The Diary of a Teenage Girl (Marielle Heller, 2015) 22

-Learning How to Perform and Please in Eighth Grade (Bo Burnham, 2018) 33

Chapter 2: Platonic and Family Discourse on Sex as Sexual Empowerment and Disempowerment 48

-Female Friendship as Sexual Empowerment in Booksmart (Olivia Wilde, 2019) 48

-Family Discourse on Sex and Queerness in Pariah (Dee Rees, 2011) 59

Chapter 3: Religion Gatekeeping Sexual Empowerment 67

-Female Friendship and Family Subverting Religious Sexual Shame in Lady Bird (Greta Gerwig, 2017) 67

-Discovering Sexuality in a Religious Bubble in Yes, God, Yes (Karen Maine, 2019) 74

Conclusion 84

Works Cited 87

About this Honors Thesis

Rights statement

• Permission granted by the author to include this thesis or dissertation in this repository. All rights reserved by the author. Please contact the author for information regarding the reproduction and use of this thesis or dissertation.

School	Emory College
Department	Film and Media Studies
Degree	B.A.
Submission	Honors Thesis
Language	English
Research Field	Women's Studies Gender Studies Cinema
Keyword	patriarchal pleasure hierarchy pleasure girlhood sex gender film coming of age
Committee Chair / Thesis Advisor	Schreiber, Michele, Emory University
Committee Members	Ristaino, Christine, Emory University Reynolds, Daniel, Emory University

Last modified

Primary PDF

Thumbnail	Title	Date Uploaded	Actions
	Pleasing: The Patriarchal Pleasure Hierarchy Revealed in 2010s Coming of Age Films ()	2022-05-03 15:10:52 -0400	Press to Select an action Download

Supplemental Files

Thumbnail	Title	Date Uploaded	Actions