Queer Projections: Sexuality and Visibility Through the Avant-Garde Lens 公开

Abstract

Abstract
Queer Projections: Sexuality and Visibility Through the Avant-Garde Lens
As a point of connection between multiple conceptions of sexuality and its visible forms,
"queer cinema" now constitutes one of the major modes through which sexual minorities
access cultural visibility. This dissertation brings cinema and theory together in the
representation and analysis of non-normative sexualities, with homosexuality as the
definitional center. Rather than prioritizing Hollywood film, as previous studies have, this
work produces a story of queer cinema by examining films within, and in relation to, the
American avant-garde.

Table of Contents

Table of Contents


Introduction






1-28

Chapter 1. Queer Cinema and the Repressive Hypothesis
29-70

Chapter 2. The Psycho-Drama




71-112

Chapter 3. The Queer Underground



112-131

Chapter 4. The Lesbian New Wave



132-183

Conclusion







184-189

Bibliography






190-197

About this Dissertation

Rights statement

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School	Laney Graduate School
Department	Women's Studies
Degree	PhD
Submission	Dissertation
Language	English
Research field	Women's Studies Gender Studies
关键词	avant-garde film avant-garde lesbian queer theory video art new queer cinema queer cinema gender sexuality experimental film
Committee Chair / Thesis Advisor	Huffer, Lynne R, Emory University
Committee Members	Garland-Thomson, Rosemarie, Emory University Schreiber, Michele, Emory University

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