Creation and Deception in the Evolution of Art Forgery Público
Lopazan, Anda Diana (2012)
Abstract
Abstract
Creation and Deception in the Evolution of Art Forgery
This thesis will trace the evolution of the concept of "forgery"
from its connections with creation to its modern associations with
deception. I will discuss this change using examples of art from
the Middle Ages to explain forgery as creation, from the Baroque to
show how borrowing blurred the line between emulation and stealing,
and from the nineteenth and the twentieth centuries to demonstrate
how forgery became synonymous with fraud. Many examples from other
times could have been used. I chose these examples because they
correspond to two moments of transition in history and in art: the
advent of the printing press and the application of the scientific
method to analyzing art. These two events had a role in shifting
the conception of forgery because they changed the intellectual
climate that gave meaning to the concept. Distinguishing between
the nuances of the word "forgery" is another useful tool for
showing the difference in "forgery" from one time period to the
next.
Table of Contents
Table of Contents
Introduction: Defining
Forgery…………………………………………………..................................1
Chapter 1: Creative Forgery in the Middle
Ages…………………………………..….................….6
Chapter 2: Borrowing and Stealing in the
Baroque………………………………............….........20
Chapter 3: Identifying Forgeries in the Nineteenth and Early
Twentieth Centuries……....36
Conclusion: Art and
Deception……..………......…………………………….....................…………...49
Bibliography……………………………………………………………….……..................................……….54
List of
Figures…………………………………………………………................................……………..…..59
About this Honors Thesis
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Primary PDF
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Creation and Deception in the Evolution of Art Forgery () | 2018-08-28 10:09:14 -0400 |
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Supplemental Files
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Preliminary Pages.docx () | 2018-08-28 10:12:15 -0400 |
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