#chinesecuisine #cottagecore: Chinese Food and Locality in Contemporary Social Media Öffentlichkeit
Spooner, Piper (Spring 2021)
Abstract
The term “Chinese food” inevitably conjures a specific set of images, ideas, and phantom tastes and smells. But how do we know that a dish is Chinese, or what Chinese food even is? This project examines this question through the YouTube and Weibo videos of Chinese food vloggers Li Ziqi and Dianxi Xiaoge, both of whom have significant followings inside and outside of China, and whose videos are alluring for their beauty and picture of a self-sufficient, farm-to-table lifestyle.
Building off existing scholarship about national cuisine and food studies, media studies, tourism, and cultural studies, this project analyzes the context, content, production, and consumption of these videos and explores the ways that, as part of our contemporary media landscape of user-oriented social media, these videos construct and present very specific ideas about Chinese food that are not actually stable, definitive, or representative.
Table of Contents
Introduction - The Joy of Blank 1
Chapter One - How Not to Cook and Eat...in Chinese: Li Ziqi and Dianxi Xiaoge in Context 8
The Chinese Media 12
Canonical Culinary Media 16
The Food Network Model 16
The Culinary Tourism Model 21
User-Oriented Media Platforms 25
Food for Thought 28
Chapter Two - The Life of a Video: From Farm to Film 29
Constructed Locality 30
Natural, Simultaneous, and Inconvenient Time 35
Technology as Fluid 42
Gender: Womanhood’s Work and the Female Domain 47
Social Media Platforms 53
Chapter Three - Fant-Asia: Consuming and Viewing the Other as Commodity 55
Filming Food, Viewing Porn 56
Commodities for Cosmopolitans 61
Comments from the Peanut Gallery: Viewer-Consumer Reactions 66
Denouement: Time is Ming 77
Conclusion - Li Ziqi and Dianxi Xiaoge Are Fake 70
Bibliography 84
About this Honors Thesis
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