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Cinema
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The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in ...
It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry
The Signifyin (g) Tradition of the Hip-hop Music Video
"Walk Among Us": Moral Panics and the Deinstitutionalization of the Mentally...
Representing a Problem of Modern Mobility: Travel and Imagination in African American ...
"The Improbable Made Possible": Science Fiction and Social Commentary in The...
Philippe Grandrieux: A Belief in Life
360 Degrees of Separation
"Sequel Mania": Why Hollywood is Getting Increasingly Interested in Sequels?
The Politics of Photographic Aesthetics in Latin America: Photography, Beauty, and Vio...
Taking Place: Rhetoric of Abstract Space and Construction of Literary Architectures
Song of the Sea: A "Stolen" Irish Moment for Every Viewer
Social Death in the Work of Julie Dash
Death and the Diagonal Display: Cinema's Planned Obsolescence in the Screen-Captur...
Atonement in Adaptation
Environmental Eros: From Ecofeminism to Eco-Queer
Trying To Make It Real: The Documentary Imagination of American Roots Music
Fashioning Our Selves: Power, Gender and Normalization in Personal Makeover Television...
Exceeding the Frame: Documentary Filmmaker Marlon T. Riggs asCultural Agitator
The Starting Place: From Conception to Creation
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Laney Graduate School
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Emory College
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Film and Media Studies
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Film Studies
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Graduate Institute of the Liberal Arts
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Cinema
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Schreiber, Michele, Emory University
37
Oeler, Karla, Emory University
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Bernstein, Matthew, Emory University
28
Mueller, Eddy Von, Emory University
23
Reynolds, Daniel , Emory University
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film
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Film
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television
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horror
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