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Saving Roman Painting: The Antiquarian Reproductions of Pietro Santi Bartoli (1635-1700)
The Architecture of Red Los Angeles: Building Low-Cost Housing Communities for a Postw...
Drawing on the Tablet of the Heart: Iconography and the Shape and Shaping of the Psalter
Exsanguis Umbra: The Development of Funerary Portraiture in Roman Egypt
Fountains of Blood: Sanguine Devotion at Chateau de Boumois
Looking and Listening: Multi-Sensorial Frequencies of Vernacular Photography in Samuel...
Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae...
Seeing Visions with the Prophet: Toward an Iconographic Hermeneutic of Joel
Barbaric Beasts: Visual Representations of Barbarians and the Book of Revelation
Faces of David: Late Antique and Medieval David Cycles in East and West
Roman Imperial Cinerary Urns: Production and Display
Silent Eloquence: The Rhetorical Pictures of Biblical History by Hendrick Goltzius and...
Reinventing Guercino: Prints, Pedagogy and the Role of Imitation
Meaning, Materiality, and Pothos in Late Antique Gold-Glass Portraits
Paolo Veneziano's Santa Chiara Polyptych and the Media of Devotion in Fourteenth-C...
A Monument’s Many Lives: Constructing Meanings in Theo Eshetu’s The Return of the Axu...
Monkey on the malacatl: Investigations into the Imagery of Aztec Spindle Whorls
Designing the Divine: The Construction of Cult Statues in the Second Century BCE
Frederick Sommer: Photography at the Limits of the Avant-Garde
the ether swaddles me | you | us: Becoming-Khora in Light, Sound, and Transmission Art
Imperfect Documents: Sherrie Levine
Sonia Delaunay’s Cross-Media Abstraction
Local Talent, International Ambitions: Evidence from the Roof of the Stoa in the Sanct...
The Other Englishman: Bernini’s Bust of Thomas Baker (1638)
La Predica della Battista: An Epideictic Image
Chrononauts in Chromotopia: Toward an Erotics of Abstract Painting’s Materiality in th...
Cortona and Martina: Crafting the devotional experience
Creation of Ritual Space in the Non-Royal Tombs of Amarna
The Power of Sight: A Reexamination of Guercino and Poussin’s Et in Arcadia Ego Painti...
Eco-Visionary Media: Art as Activism in Björk’s Audiovisual Production
Trojan Prophecy and Golden Offerings: Tripods in Late Republican and Early Imperial Ro...
Icons of Royal Power: Viewing the Rhetoric of the Royal Psalms in the Context of Ancie...
The Virgin, the Saints, and the Reconquest: Marian Cult Images in Medieval Toledo and ...
Making the Ordered Cosmos: The Gigantomachy in Archaic and Classical Athenian Vase Pai...
Treasuries, Invention, and the Teodelinda Chapel in Monza
Modernity in the Photographs of Eugène Atget
The Cross and the Throne: The Genesis of the Idea of Victimhood in the Context of Poli...
The Kleophrades Painter and His World
Pre-Hispanic and Colonial Period Aymara Ceremonial Garments of Bolivia and Peru: Stru...
The Katherine Group and the Construction of Medieval Literary History
Domūs and Insulae in the City of Rome: Living Spaces, Design, and Development
"Tamashī" and "Orientalism in reverse" in Kurokawa's Agricultu...
Metaphysics and the Hyper-Real in Ulisse Aldrovandi's Watercolor Drawings
The Cavaliere Carlo Rainaldi (1611-1691): Architecture and Identityin Seventeenth-Cent...
A Reconsideration of the Development of the Piazza del Popolo inthe Reign of Alexander...
Mary E. Hutchinson: The Absence of an Oeuvre
Weaving the National Identity: The Tapestries of Safia Farhat,1967-1978
Politics of Place: Landscape Painting in Imperial Rome
Filius Minervae: A Study of Domitian's Relationship with Minerva
The Effect of Location on the Function of the Genealogy of Christ Stained Glass Series...