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Killing Time on the Early Modern Stage: Tempo, Judgment, and the
Art of Defense
1 of 7
Opening Acts: The Performance of Trauma in the Work of Shakespeare,
Artaud, Brecht, and Cervantes
2 of 7
Audience Communities: Early Modern Desire in Post-1956 British
Performance
3 of 7
Inhuman Depressions: A Cognitive Ecology of Holes in Early Modern English Literature
4 of 7
Orson Welles, Shakespeare, and Cultural Authority
5 of 7
Loose Translations: Postcolonial Literature and Shakespeare
6 of 7
Muscular Bodies and Formations of Masculinity and Impairment in
Shakespearean Drama
7 of 7