No Place for Mere Entertainment: Religion and Popular Culture in Atlanta (1865 to 1925)

Documenting the Undocumented Narratives of Dreamers: Personal Uncertainty, Interrupted Identities, and Religious Meaning Making

Samuel Taylor Coleridge and the Modern Religion of Conscience

Icons of Royal Power: Viewing the Rhetoric of the Royal Psalms in the Context of Ancient Near Eastern Royal Art

Genesis 37-50 as Proto Trauma-Novella