Index Catalog // Emory Theses and Dissertations

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Filtering by: Committee Schreiber, Michele, Emory University Research Field Cinema

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Faraway, So Close: A Phenomenology of Film Spectatorship

Manic Pixie Dream Girls

Captive Subjects: The Figure of the Child in Contemporary Argentine Cinema

Exploring the Process of Translation from Stage to Screen

The Word Viewed: Conversation on Film

The Rózsa Touch: Challenging Classical Hollywood Norms Through Music

Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentar...

Impasse of David Bordwell's Model of Film Study

Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment

Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror...

Branded Developments: The HBO Serial and Beyond

Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon

Behind Open Doors: The Cinematic Spaces of the Slasher Film

Specters and Spectacles: The Crime Serials of Louis Feuillade

The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's ...

Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film C...

Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema

Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and H...

In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar

Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema

What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes&#39...

Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935

Environmental Eros: From Ecofeminism to Eco-Queer

Death and the Diagonal Display: Cinema's Planned Obsolescence in the Screen-Captur...

Social Death in the Work of Julie Dash

Song of the Sea: A "Stolen" Irish Moment for Every Viewer

360 Degrees of Separation

"The Improbable Made Possible": Science Fiction and Social Commentary in The...

It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry

History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman

Flawlessly Negotiating Femininity: Beyonce Knowles, Nicki Minaj, and Pop Feminism

Supremacy versus Solidarity: Holding White Womanhood Accountable in Candyman and Get Out

Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema

Pleasing: The Patriarchal Pleasure Hierarchy Revealed in 2010s Coming of Age Films

"Does a Rose Speak When Spoken To?": Rococo Aesthetics and VisualResistance ...

Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and th...

Derrida and The Future of Complex Narrative Television