Island Canvas: Caribbean Culture and Literature in the Visitor Economy Restricted; Files & ToC

Sastre-Rivera, Alex (Summer 2026)

Permanent URL: https://etd.library.emory.edu/concern/etds/gh93h119c?locale=en
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Abstract

This dissertation argues that the effects of climate change in the Caribbean necessitate a critical examination of the historical relationship between tourism, colonialism, art, and national identity. Building on the work of Marina Reyes-Franco, Rocío Zambrana, M. Jacqui Alexander, and Ian Strachan, I show how debt, the visitor economy regime, and regulated state formations perpetuate the construction of paradise, which often exploits Black, Queer, Trans, femme, and impoverished Caribbean individuals. Using this theoretical framework, I analyze the literature and media of contemporary Puerto Rican and Caribbean artists and writers, including Bad Bunny, Chuwi, Mayra Santos-Febres, Nicole Dennis-Benn, among others, to demonstrate that the concept of the Caribbean paradise has become central to these artists, whether they subvert or reinforce its meaning. Studying the production of paradise by artists, local governments and foreign investments is crucial because it often leads to the gentrification of communities while prioritizes the well-being of typically white American tourists and settlers. This dissertation connects current gentrification efforts to a longstanding history of colonial displacement reiterated through urban renewal projects, colonial expansion, and industrial revolutions. 

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