Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror Story and Homeland Open Access
McCollom, Amanda Kathryn (2014)
Abstract
Premiering within the same week in October of 2011, American Horror Story and Homeland tap into the cultural fantasies of heteronormativity that circulate within the American public consciousness. Drawing from a plethora or real-world events, these shows can be considered narrative spectacles for the ways in which they allow for a critical distance from the diegesis. This critical distance can be used to examine the ways in which the cultural fantasies that support institutions of heteronormativity (marriage, family, government, school) are constructed to seem natural, desirable and achievable to the average citizen. In complicating various characters' relationship to these cultural ideals, I argue that these shows both reinforce and subvert the dominant hold of these fantasies, which allows for an examination of the viability of and investment in social intuitions. Both shows explore these privileged norms through trauma, the invasion of the private sphere and the complicated nature of heterosexual romance. In investigating the relationship between narrative spectacle and cultural fantasies, it is my aim to complicate the reader's understanding of how heteronormative culture constructs one's identity and position within contemporary American society.
Table of Contents
Introduction 1
Synopsis and Industry Context 2
Femininity, Excess and Television 6
Cultural Fantasies of Heteronormativity 10
Part One: Space Fear and Sexuality
American Horror Story
The House and the Body 16
Rubber Man 21
The Hypersexual Seductress 28
Homeland
Suburban Surveillance 33
False Fidelity 40
The Heteronormative Terrorist 46
Part Two: Time and Trauma
American Horror Story
Tate 53
Violet 58
Romeo and Juliet, Post-mortem 62
Homeland
Brody 65
Carrie 70
Double Agents of Love 74
Conclusion 79
Undying Fantasies 80
Conflicting Desires 82
Horror in the Home(land) 84
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