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Cinema
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Writing the Unseen: Envisioning the Face in the Works of Marguerite Duras and Hélène C...
Faraway, So Close: A Phenomenology of Film Spectatorship
From The Jazz Singer to an American Girl: The Turn of the Century Jewish Immigrant in ...
Locked Up: The Prison Genre in American Cinema
Manic Pixie Dream Girls
Independent Filmmakers Guide: An execution and analysis of the filmmaking process
Artificial Generation: The Hybridization of Female and Form in Gautier, Villiers, Wild...
Moving Images: India on British Screens, 1917-1947
Cine y (r)evolucion. El neorrealismo italiano en Cuba (1959-1969)
Selva de Fantasmas. Tropicalización de lo gótico en la literatura y el cine latinoamer...
Cousins of Faith
McTavish
Burnt Norton - A Music Video
All Access: YouTube, the History of the Music Video, and Its Contemporary Renaissance
Captive Subjects: The Figure of the Child in Contemporary Argentine Cinema
Curation and Cinema
Grace
Early Practices in Digital Cinematography: The Techniques and Technologies of the Digi...
Detour
THE WOMAN ON THE SCAFFOLD
Looking Through the Lens: Jewish Self-Portrayal on Television in Five Pivotal Series: ...
Murmuration
Exploring the Process of Translation from Stage to Screen
"A Profane Miracle": Modernity and the Accident in American Literature and F...
The Word Viewed: Conversation on Film
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentar...
sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Conte...
Envisioning the City: Moscow in the Mind and on Film
The Austro-Comedy and the Brenner Trilogy
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
Impasse of David Bordwell's Model of Film Study
Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror...
Branded Developments: The HBO Serial and Beyond
Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon
Behind Open Doors: The Cinematic Spaces of the Slasher Film
Jim Brown: Cinematic Integration and Re-Segregation,1967-1972
Specters and Spectacles: The Crime Serials of Louis Feuillade
The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's ...
Absurd Parody for Nostalgic Night Owls: Understanding Adult Swim's Offensive Content
Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film C...
Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and ...
Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood
Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
Gods and Monsters in Splice, Prometheus, and Our Genetic Imaginary: A Gene-centric Evo...
Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and H...
In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar
The Doomed Adventure: Narratives of Disillusion in Post-World War I American Cinema
Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
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Laney Graduate School
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Film and Media Studies
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Schreiber, Michele, Emory University
37
Oeler, Karla, Emory University
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Bernstein, Matthew, Emory University
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Mueller, Eddy Von, Emory University
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Reynolds, Daniel , Emory University
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