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Cinema
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Vain Bodies: Predictions about the climate catastrophe, late capitalism, and biopoliti...
Romancing the Robot: The Artificially Intelligent Female Companion in Science Fiction ...
Moving Mountains
Provisions: Animating Culture
Portrayals of Trauma in Film as a Tool for Analyzing Imperial Residues of the New Stat...
Lower Broad: A Feature-Length Screenplay Examining the Representation of Women in Coun...
South Korean and American Television Formats: Exploring American Format Adaptations of...
Finding My Reflection in Darkness: An Exploration of Memory in Black Mirror
Family-Centrism in Korean TV Remakes and Adaptations of Anglophone Narratives
The Closet Cases
Changes
Show Me the Gukhip: Representation of South Korean Hip-Hop on TV and Film
Pleasing: The Patriarchal Pleasure Hierarchy Revealed in 2010s Coming of Age Films
Cinematic Possessions: Colonialism, Horror, and Documentary
Constructing Cultural Memory: The Cinematic Legacies of the Old South
Curating the Future: Programming a Virtual Film Series in the COVID-19 Era
Bad Muslims: An exploration of the stereotypes, challenges, and conflicts that young M...
To Be Seen, To Be Heard: Hypervisibility of Underrepresented Minorities in Mainstream ...
Comedy, Camaraderie, and Catharsis: A Reflection on Eighteenth-Century British Periodi...
Liquid Liminality: Swimming Pools and the Contemporary American Teen Film
Representation Matters: Changing Portrayals of Asian-Americans in Hollywood films from...
Self-Fashioning
Who Will Defend Our Minds? The Male Hero of 1960s Film and the Battle for American Aut...
Maternity and the Aging Female Body in Postmodern Hollywood Horror Film
Poignant Immobility: Temporality in the Works of Barthes, Lispector, Proust and Tarkovsky
Southern Community, Commerce, and Representation in the Global Age
The Starting Place: From Conception to Creation
Acknowledging Difference: Looking at Film, Looking at Food
The Word Viewed: Conversation on Film
Envisioning the City: Moscow in the Mind and on Film
The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's ...
"A Profane Miracle": Modernity and the Accident in American Literature and F...
L'Oubli pour mémoire: l'expérience liminaire desnon-lieux
Exploring the Process of Translation from Stage to Screen
Murmuration
"Walk Among Us": Moral Panics and the Deinstitutionalization of the Mentally...
Derrida and The Future of Complex Narrative Television
Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and th...
Looking Through the Lens: Jewish Self-Portrayal on Television in Five Pivotal Series: ...
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
Atonement in Adaptation
THE WOMAN ON THE SCAFFOLD
Detour
The Signifyin (g) Tradition of the Hip-hop Music Video
Early Practices in Digital Cinematography: The Techniques and Technologies of the Digi...
"Sequel Mania": Why Hollywood is Getting Increasingly Interested in Sequels?
The Austro-Comedy and the Brenner Trilogy
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
Grace
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Laney Graduate School
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Emory College
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Film and Media Studies
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Schreiber, Michele, Emory University
37
Oeler, Karla, Emory University
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Bernstein, Matthew, Emory University
28
Mueller, Eddy Von, Emory University
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Reynolds, Daniel , Emory University
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