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Disability and American Documentary Cinema: Media Ethnography Towards the Movement of Embodied Difference
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Supremacy versus Solidarity: Holding White Womanhood Accountable in Candyman and Get Out
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Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema
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Predicting the Future of Humanity Through Francophone Science Fiction Film
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Jim Brown: Cinematic Integration and Re-Segregation,1967-1972
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Repurposing Media's Architectures: The Transformative Power of the Gimmick
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Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
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Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935
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Animating Biopolitics: Spaces and Bodies in Mamoru Oshii's Ghost in the Shell
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Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon
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What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes' Safe
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Behind Open Doors: The Cinematic Spaces of the Slasher Film
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Writing the Unseen: Envisioning the Face in the Works of Marguerite
Duras and Hélène Cixous
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Faraway, So Close: A Phenomenology of Film Spectatorship
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Song of the Sea: A "Stolen" Irish Moment for Every Viewer
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From The Jazz Singer to an American Girl: The Turn of the Century
Jewish Immigrant in American Popular Culture
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Trying To Make It Real: The Documentary Imagination of American Roots Music
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Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
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The Doomed Adventure: Narratives of Disillusion in Post-World War I American Cinema
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Representing a Problem of Modern Mobility: Travel and Imagination
in African American Cultural History, Arts and Letters, ca.
1900-1970
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