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Writing the Unseen: Envisioning the Face in the Works of Marguerite Duras and Hélène C...
Faraway, So Close: A Phenomenology of Film Spectatorship
From The Jazz Singer to an American Girl: The Turn of the Century Jewish Immigrant in ...
Locked Up: The Prison Genre in American Cinema
Manic Pixie Dream Girls
Independent Filmmakers Guide: An execution and analysis of the filmmaking process
Artificial Generation: The Hybridization of Female and Form in Gautier, Villiers, Wild...
Moving Images: India on British Screens, 1917-1947
Cine y (r)evolucion. El neorrealismo italiano en Cuba (1959-1969)
Selva de Fantasmas. Tropicalización de lo gótico en la literatura y el cine latinoamer...
Cousins of Faith
McTavish
Burnt Norton - A Music Video
All Access: YouTube, the History of the Music Video, and Its Contemporary Renaissance
Captive Subjects: The Figure of the Child in Contemporary Argentine Cinema
Curation and Cinema
Grace
Early Practices in Digital Cinematography: The Techniques and Technologies of the Digi...
Detour
THE WOMAN ON THE SCAFFOLD
Looking Through the Lens: Jewish Self-Portrayal on Television in Five Pivotal Series: ...
Murmuration
Exploring the Process of Translation from Stage to Screen
"A Profane Miracle": Modernity and the Accident in American Literature and F...
The Word Viewed: Conversation on Film
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentar...
sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Conte...
Envisioning the City: Moscow in the Mind and on Film
The Austro-Comedy and the Brenner Trilogy
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
Impasse of David Bordwell's Model of Film Study
Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror...
Branded Developments: The HBO Serial and Beyond
Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon
Behind Open Doors: The Cinematic Spaces of the Slasher Film
Jim Brown: Cinematic Integration and Re-Segregation,1967-1972
Specters and Spectacles: The Crime Serials of Louis Feuillade
The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's ...
Absurd Parody for Nostalgic Night Owls: Understanding Adult Swim's Offensive Content
Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film C...
Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and ...
Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood
Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
Gods and Monsters in Splice, Prometheus, and Our Genetic Imaginary: A Gene-centric Evo...
Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and H...
In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar
The Doomed Adventure: Narratives of Disillusion in Post-World War I American Cinema
Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes'...
Animating Biopolitics: Spaces and Bodies in Mamoru Oshii's Ghost in the Shell
Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935
Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
Repurposing Media's Architectures: The Transformative Power of the Gimmick
Acknowledging Difference: Looking at Film, Looking at Food
The Starting Place: From Conception to Creation
Exceeding the Frame: Documentary Filmmaker Marlon T. Riggs asCultural Agitator
Fashioning Our Selves: Power, Gender and Normalization in Personal Makeover Television...
Trying To Make It Real: The Documentary Imagination of American Roots Music
Environmental Eros: From Ecofeminism to Eco-Queer
Atonement in Adaptation
Death and the Diagonal Display: Cinema's Planned Obsolescence in the Screen-Captur...
Social Death in the Work of Julie Dash
Song of the Sea: A "Stolen" Irish Moment for Every Viewer
Taking Place: Rhetoric of Abstract Space and Construction of Literary Architectures
The Politics of Photographic Aesthetics in Latin America: Photography, Beauty, and Vio...
"Sequel Mania": Why Hollywood is Getting Increasingly Interested in Sequels?
360 Degrees of Separation
Philippe Grandrieux: A Belief in Life
"The Improbable Made Possible": Science Fiction and Social Commentary in The...
Representing a Problem of Modern Mobility: Travel and Imagination in African American ...
"Walk Among Us": Moral Panics and the Deinstitutionalization of the Mentally...
The Signifyin (g) Tradition of the Hip-hop Music Video
It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry
The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in ...
History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
Flawlessly Negotiating Femininity: Beyonce Knowles, Nicki Minaj, and Pop Feminism
L'Oubli pour mémoire: l'expérience liminaire desnon-lieux
The MPAA (Motion Picture Association of America) Rating System and Juvenile Delinquenc...
Poignant Immobility: Temporality in the Works of Barthes, Lispector, Proust and Tarkovsky
Liquid Liminality: Swimming Pools and the Contemporary American Teen Film
Representation Matters: Changing Portrayals of Asian-Americans in Hollywood films from...
Supremacy versus Solidarity: Holding White Womanhood Accountable in Candyman and Get Out
Self-Fashioning
Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema
Cinematic Possessions: Colonialism, Horror, and Documentary
Comedy, Camaraderie, and Catharsis: A Reflection on Eighteenth-Century British Periodi...
Predicting the Future of Humanity Through Francophone Science Fiction Film
Disability and American Documentary Cinema: Media Ethnography Towards the Movement of ...
Who Will Defend Our Minds? The Male Hero of 1960s Film and the Battle for American Aut...
Maternity and the Aging Female Body in Postmodern Hollywood Horror Film
Constructing Cultural Memory: The Cinematic Legacies of the Old South
To Be Seen, To Be Heard: Hypervisibility of Underrepresented Minorities in Mainstream ...
Bad Muslims: An exploration of the stereotypes, challenges, and conflicts that young M...
Pleasing: The Patriarchal Pleasure Hierarchy Revealed in 2010s Coming of Age Films
Show Me the Gukhip: Representation of South Korean Hip-Hop on TV and Film
Changes
The Closet Cases
Family-Centrism in Korean TV Remakes and Adaptations of Anglophone Narratives
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Laney Graduate School
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Emory College
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Film and Media Studies
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Film Studies
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Schreiber, Michele, Emory University
37
Oeler, Karla, Emory University
29
Bernstein, Matthew, Emory University
28
Mueller, Eddy Von, Emory University
23
Reynolds, Daniel , Emory University
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film
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horror
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