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Cinema
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Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon
Branded Developments: The HBO Serial and Beyond
Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror...
Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
Impasse of David Bordwell's Model of Film Study
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
The Austro-Comedy and the Brenner Trilogy
Envisioning the City: Moscow in the Mind and on Film
sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Conte...
Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentar...
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
The Word Viewed: Conversation on Film
"A Profane Miracle": Modernity and the Accident in American Literature and F...
Exploring the Process of Translation from Stage to Screen
Murmuration
Looking Through the Lens: Jewish Self-Portrayal on Television in Five Pivotal Series: ...
THE WOMAN ON THE SCAFFOLD
Detour
Early Practices in Digital Cinematography: The Techniques and Technologies of the Digi...
Grace
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Laney Graduate School
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Emory College
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Film and Media Studies
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Film Studies
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Graduate Institute of the Liberal Arts
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Schreiber, Michele, Emory University
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Oeler, Karla, Emory University
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Bernstein, Matthew, Emory University
28
Mueller, Eddy Von, Emory University
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Reynolds, Daniel , Emory University
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