Index Catalog // Emory Theses and Dissertations

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List Gallery Masonry Slideshow

The Word Viewed: Conversation on Film

The Rózsa Touch: Challenging Classical Hollywood Norms Through Music

Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentar...

sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Conte...

Envisioning the City: Moscow in the Mind and on Film

The Austro-Comedy and the Brenner Trilogy

Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation

Impasse of David Bordwell's Model of Film Study

Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment

Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror...

Branded Developments: The HBO Serial and Beyond

Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon

Behind Open Doors: The Cinematic Spaces of the Slasher Film

Jim Brown: Cinematic Integration and Re-Segregation,1967-1972

Specters and Spectacles: The Crime Serials of Louis Feuillade

The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's ...

Absurd Parody for Nostalgic Night Owls: Understanding Adult Swim's Offensive Content

Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film C...

Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and ...

Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood

Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema

Gods and Monsters in Splice, Prometheus, and Our Genetic Imaginary: A Gene-centric Evo...

Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and H...

In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar

The Doomed Adventure: Narratives of Disillusion in Post-World War I American Cinema

Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema

What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes&#39...

Animating Biopolitics: Spaces and Bodies in Mamoru Oshii's Ghost in the Shell

Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935

Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt

Repurposing Media's Architectures: The Transformative Power of the Gimmick

Atonement in Adaptation

Death and the Diagonal Display: Cinema's Planned Obsolescence in the Screen-Captur...

Social Death in the Work of Julie Dash

Song of the Sea: A "Stolen" Irish Moment for Every Viewer

The Signifyin (g) Tradition of the Hip-hop Music Video

It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry

The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in ...

History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman

Flawlessly Negotiating Femininity: Beyonce Knowles, Nicki Minaj, and Pop Feminism

Supremacy versus Solidarity: Holding White Womanhood Accountable in Candyman and Get Out

Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema

"Does a Rose Speak When Spoken To?": Rococo Aesthetics and VisualResistance ...

Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and th...

Derrida and The Future of Complex Narrative Television

The Reluctant Auteur: George Miller's Cinema of Collaboration