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The Word Viewed: Conversation on Film
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Envisioning the City: Moscow in the Mind and on Film
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The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's INLAND EMPIRE
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Derrida and The Future of Complex Narrative Television
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Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and the Gendered Body in Beyond: TwoSouls and The Congress
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The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
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Atonement in Adaptation
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The Signifyin (g) Tradition of the Hip-hop Music Video
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The Austro-Comedy and the Brenner Trilogy
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Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
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It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry
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The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in the Woods'
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Impasse of David Bordwell's Model of Film Study
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Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentary Film
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sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Contemporary Delinquent Film Cycle
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History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
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Absurd Parody for Nostalgic Night Owls: Understanding Adult Swim's Offensive Content
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The Reluctant Auteur: George Miller's Cinema of Collaboration
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Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
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Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror Story and Homeland
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