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Southern Community, Commerce, and Representation in the Global Age
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The Word Viewed: Conversation on Film
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Envisioning the City: Moscow in the Mind and on Film
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The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's INLAND EMPIRE
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"A Profane Miracle": Modernity and the Accident in American
Literature and Film, 1925-1934
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L'Oubli pour mémoire: l'expérience liminaire desnon-lieux
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"Walk Among Us": Moral Panics and the Deinstitutionalization of the Mentally Ill in Popular Culture
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Derrida and The Future of Complex Narrative Television
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Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and the Gendered Body in Beyond: TwoSouls and The Congress
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The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
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Atonement in Adaptation
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THE WOMAN ON THE SCAFFOLD
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The Signifyin (g) Tradition of the Hip-hop Music Video
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The Austro-Comedy and the Brenner Trilogy
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Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
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It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry
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Curation and Cinema
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Captive Subjects: The Figure of the Child in Contemporary
Argentine Cinema
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Environmental Eros: From Ecofeminism to Eco-Queer
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Exceeding the Frame: Documentary Filmmaker Marlon T. Riggs asCultural Agitator
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