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Envisioning Nasca: Sculptural Polychrome Ceramics, c. 1 - 450 CE
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Paintings of Foreigners in 18th Dynasty Theban Tombs, 1550-1372 BCE
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The Most Refractory Medium: Albert
Renger-Patzsch, Edward Weston, László Moholy-Nagy
and Photographic Discourse circa 1929
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Creation and Deception in the Evolution of Art Forgery
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Politics, Gender and the Art of Religious Authority in North
Africa: Moroccan Women's Henna Practice
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Dressing the Saints: Indigenous Maya Elements in Catholic-Related Textiles at the Michael C. Carlos Museum
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Andean Concepts and Scripted Pictures: Ukhu, Sight, and Sound in the Drawings of Guaman Poma de Ayala
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Domitian and Minerva at Rome: Iconography and Divine Sanction in the Eternal City
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The Straight and the Bent: Edward Weston and Man Ray
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In Formam Deorum: Venus, Virtue, and Portrait Nudity
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