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Art History
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Saving Roman Painting: The Antiquarian Reproductions of Pietro Santi Bartoli (1635-1700)
The Architecture of Red Los Angeles: Building Low-Cost Housing Communities for a Postw...
Drawing on the Tablet of the Heart: Iconography and the Shape and Shaping of the Psalter
Exsanguis Umbra: The Development of Funerary Portraiture in Roman Egypt
Fountains of Blood: Sanguine Devotion at Chateau de Boumois
Memorialized Maritime: Shinto Ships in the Spiritualization of Newly Japanese Seas, 19...
Looking and Listening: Multi-Sensorial Frequencies of Vernacular Photography in Samuel...
Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae...
Communal Space Across Time: Comparing the Architecture of Ostia Antica and Drop City
Two Canadian Collectors of Ancient Egyptian Art in the Nineteenth Century and Their Re...
Seeing Visions with the Prophet: Toward an Iconographic Hermeneutic of Joel
Barbaric Beasts: Visual Representations of Barbarians and the Book of Revelation
Faces of David: Late Antique and Medieval David Cycles in East and West
Roman Imperial Cinerary Urns: Production and Display
She Left the Loom, She Saw the Water Flowers Bloom
THE MAMBA MENTALITY: How Bryant’s Basketball Philosophy on the Pursuit of Excellence c...
Silent Eloquence: The Rhetorical Pictures of Biblical History by Hendrick Goltzius and...
The Artwork of Tragedy: Roman Children's Funerary Altars and Their Functions
Four Lives of a Balakrishna Bronze
Poussin and the Vernacular: a humanist canvas
The Origin of the Pilleus
Reinventing Guercino: Prints, Pedagogy and the Role of Imitation
Performance and Imitation: The Devotional Images of Sofonisba Anguissola
Meaning, Materiality, and Pothos in Late Antique Gold-Glass Portraits
Paolo Veneziano's Santa Chiara Polyptych and the Media of Devotion in Fourteenth-C...
A Monument’s Many Lives: Constructing Meanings in Theo Eshetu’s The Return of the Axu...
Monkey on the malacatl: Investigations into the Imagery of Aztec Spindle Whorls
Designing the Divine: The Construction of Cult Statues in the Second Century BCE
Frederick Sommer: Photography at the Limits of the Avant-Garde
the ether swaddles me | you | us: Becoming-Khora in Light, Sound, and Transmission Art
Monumental Interplays: How Virtual Encounters Affect Understandings of the Voortrekker...
An Illness of the Body and Soul: Visual Cultures of the French Disease in Early Modern...
In Light of Chan Buddhism: Zhang Huan’s Solo Endurance Performances in Beijing East Vi...
An Image of Society: Exploring Race and Power in the Ervin Yarbrough and Claude Culbre...
Sacred Nature: Perceptions of Nature in the Writings and Works of the Hudson River Sch...
Imperfect Documents: Sherrie Levine
Sonia Delaunay’s Cross-Media Abstraction
Local Talent, International Ambitions: Evidence from the Roof of the Stoa in the Sanct...
The Other Englishman: Bernini’s Bust of Thomas Baker (1638)
La Predica della Battista: An Epideictic Image
An Appropriate Regionalism: Contextualizing Joseph Allen Stein’s Architecture in Delhi
Chrononauts in Chromotopia: Toward an Erotics of Abstract Painting’s Materiality in th...
Kepes and Rand: Competing Models of Design at Mid-Century
Cortona and Martina: Crafting the devotional experience
Creation of Ritual Space in the Non-Royal Tombs of Amarna
The Grotto-Complex in Tiberius’s Villa at Sperlonga: Experientiality, Immersion, and O...
Design and Construction of a Tensile and Shear Strength Testing Apparatus to Study the...
The Power of Sight: A Reexamination of Guercino and Poussin’s Et in Arcadia Ego Painti...
Eco-Visionary Media: Art as Activism in Björk’s Audiovisual Production
Trojan Prophecy and Golden Offerings: Tripods in Late Republican and Early Imperial Ro...
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Laney Graduate School
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Varner, Eric, Emory University
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Pastan, Elizabeth, Emory University
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Campbell, C Jean, Emory University
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Melion, Walter S, Emory University
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Wescoat, Bonna D, Emory University
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