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Daughters of Hurston: Creolization as Performance from the Caribbean to the Sea Islands
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The Subversive Echo: A Comparison of Language Reclamation as a Feminist Rhetorical Strategy
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New Imperialism’s Role in the Development of the Science Fiction Genre: Race and Gender
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Dismantling the “Master’s House”: Audre Lorde in Conversation with Critical Race Theory and Vulnerability Theory
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Nuclear Alternatives: Interracial and Queer Families in AmericanLiterature, 1840-1905
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Every Girl Is a Riot Grrrl? Exploring the Intersections of Riot
Grrrl and the Third Wave of Feminism
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Women with Wit: Desire, Coercion, and Comedy in Chaucer's Middle English Fabliaux
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Counting the dead as "one" and "one again" in the fiction of
twentieth-century Irish women novelists
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Troubling Irish Women: Edna O'Brien's _Country Girls Trilogy_
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Partum Poetics: Pregnant Moderns and the Poetry of Origins
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Must We Mortify?: Jane Austen, Gender, and the Uses of Shame
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The Mass Production of Illicit Femininity: Narratives of Celebrity Formation in "Lady Audley’s Secret" and "Armadale"
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Haunting Fantasies: Queer Futurity in American Women's Gothic Literature
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"This Is a Female Text": Embodiment in Contemporary Irish Women's Poetry
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The Act of Listening: Benevolent Sexism & The Survivor’s Voice in Louise Erdrich’s The Round House
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"Locating Power and Redemption in Evangelical Communities: Reading the Preacher's Wife and Daughter in Contemporary Southern Women's Fiction"
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Shakespeare and #MeToo
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Abusive Love: A Tongue to Speak But No Ear to Listen; Computational Linguistics to Assess Female Agency in The Taming of the Shrew and Tamer Tamed
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