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Résultats de recherche
Picturing the Modern Self: Politics Identity and Self Fashioning in Lagos, 1861-1934
Flowers of Re: The floral origins and solar significance of rosettes in Egyptian art
Lower Nubian C-Group Figurines: Corpus and Context
The practices and meaning of reuse in Egyptian royal contexts
The Plant Teachers: Trichocereus and Anadenanthera in the Imagery of Tiwanaku's Be...
Domitian's Warhorse: Expropriating Equestrian Imagery in Flavian Rome
Art in a State of Emergency: Figuring Angolan Nationalism, 1953-2007
'Bursting the Seams': The Evolution of Archigram's Nomadic Living Units
Confronting Elsie Palmer: John Singer Sargent as a Painter of Real Women
Hans Haacke: Beyond Systems Aesthetics
Construction and Collapse on Paper: Clades Judacae Gentis of Maarten van Heemskerck, 1569
Productive Collaboration: Duke Cosimo I de' Medici, Giorgio Vasari, and Porphyry C...
Essentialism and Performativity in the Work of Ana Mendieta
God of Confusion?: An Examination of the Egyptian God Seth in New Kingdom Expressions ...
On Site-Specificity: A Genealogy
Bernini, Ovid, and the Art of Active Reading
Painterly Vernacular and Pictorial Piety: Rogier van der Weyden, Robert Campin, and Ja...
The Lithographs of Robert Rauschenberg
Developing the Colonial Museum Project in British Nigeria
Art in Exile: Dislocation and Disruption in the Work of Mona Hatoum
Visibility and Impact: The Role of Color on the Parthenon's Ionic Frieze
Envisioning Nasca: Sculptural Polychrome Ceramics, c. 1 - 450 CE
Paintings of Foreigners in 18th Dynasty Theban Tombs, 1550-1372 BCE
The Most Refractory Medium: Albert Renger-Patzsch, Edward Weston, László Moholy-Nagy a...
Creation and Deception in the Evolution of Art Forgery
Politics, Gender and the Art of Religious Authority in North Africa: Moroccan Women...
Dressing the Saints: Indigenous Maya Elements in Catholic-Related Textiles at the Mich...
Andean Concepts and Scripted Pictures: Ukhu, Sight, and Sound in the Drawings of Guam...
Domitian and Minerva at Rome: Iconography and Divine Sanction in the Eternal City
The Straight and the Bent: Edward Weston and Man Ray
Crossing Thresholds & Confronting Limits: George Trakas's "Source Route&q...
"So Noble a Failure is Better than a Trifling Success”: Frederic Leighton’s Recon...
Reconstructing Marcus Antonius: Rethinking the Representation of a Roman Triumvir in t...
La forma y suerte que esta en su sanctuario”: Hybridity, Materiality, and Nuestra Seño...
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2010
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2016
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Spring 2020
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2013
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School
Laney Graduate School
88
Emory College
46
Department
Art History
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Degree
PhD
33
BA
26
Ph.D.
22
B.A.
17
MA
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Dissertation
56
Honors Thesis
46
Master's Thesis
31
Research Field
Art History
132
Architecture
11
History, Ancient
11
Classical Studies
9
History, Medieval
7
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Committee
Varner, Eric, Emory University
29
Pastan, Elizabeth, Emory University
19
Campbell, C Jean, Emory University
18
Melion, Walter S, Emory University
18
Robins, Gay, Emory University
15
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Art History
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Medieval
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Photography
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Egypt
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