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The Next Larger Thing: The “Open” Work at Mid-century
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From Enchantresses to Exemplars: The Changing Roles of Sirens in Greek and Medieval Artistic and Literary Traditions
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The Tradition of Spiritual Continuity: the Reconstruction of Suzhou's Inept Administrator's Garden
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Constructions of Value through Primitivism and Authenticity in African Art Auction Catalogues, 2000–2020
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Saving Roman Painting: The Antiquarian Reproductions of Pietro Santi Bartoli (1635-1700)
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The Architecture of Red Los Angeles: Building Low-Cost Housing Communities for a Postwar Future, 1940-1960
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Exsanguis Umbra: The Development of Funerary Portraiture in Roman Egypt
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Fountains of Blood: Sanguine Devotion at Chateau de Boumois
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Looking and Listening: Multi-Sensorial Frequencies of Vernacular Photography in Samuel Fosso’s 70s Lifestyle
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Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae crucis," c. 810-1600 CE
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Communal Space Across Time: Comparing the Architecture of Ostia Antica and Drop City
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Two Canadian Collectors of Ancient Egyptian Art in the Nineteenth Century and Their Relationship to Coffins in the Michael C. Carlos Museum
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Roman Imperial Cinerary Urns: Production and Display
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Silent Eloquence: The Rhetorical Pictures of Biblical History by Hendrick Goltzius and Pieter Lastman
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The Artwork of Tragedy: Roman Children's Funerary Altars and Their Functions
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Poussin and the Vernacular: a humanist canvas
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The Origin of the Pilleus
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Reinventing Guercino: Prints, Pedagogy and the Role of Imitation
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Performance and Imitation: The Devotional Images of Sofonisba Anguissola
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Meaning, Materiality, and Pothos in Late Antique Gold-Glass Portraits
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