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Andean Concepts and Scripted Pictures: Ukhu, Sight, and Sound in the Drawings of Guaman Poma de Ayala
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Envisioning Nasca: Sculptural Polychrome Ceramics, c. 1 - 450 CE
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Constructions of Value through Primitivism and Authenticity in African Art Auction Catalogues, 2000–2020
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The Next Larger Thing: The “Open” Work at Mid-century
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Modernity in the Photographs of Eugène Atget
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Exsanguis Umbra: The Development of Funerary Portraiture in Roman Egypt
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Saving Roman Painting: The Antiquarian Reproductions of Pietro Santi Bartoli (1635-1700)
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The Architecture of Red Los Angeles: Building Low-Cost Housing Communities for a Postwar Future, 1940-1960
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A Monument’s Many Lives: Constructing Meanings in Theo Eshetu’s The Return of the Axum Obelisk (2009)
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Fountains of Blood: Sanguine Devotion at Chateau de Boumois
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Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae crucis," c. 810-1600 CE
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Looking and Listening: Multi-Sensorial Frequencies of Vernacular Photography in Samuel Fosso’s 70s Lifestyle
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Politics of Place: Landscape Painting in Imperial Rome
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Metaphysics and the Hyper-Real in Ulisse Aldrovandi's Watercolor Drawings
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The Power of Sight: A Reexamination of Guercino and Poussin’s Et in Arcadia Ego Paintings In Light of Early Modern Vision Theory
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Water, Aemulatio, and Legitimization: Republican and Augustan Fountains in the City of Rome
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Quidam lapis preciosus qui vocatur Cammaheu: The Medieval
Afterlife of the Gemma Augustea at Saint-Sernin of Toulouse
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Roman Imperial Cinerary Urns: Production and Display
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Local Talent, International Ambitions: Evidence from the Roof of the Stoa in the Sanctuary of the Great Gods, Samothrace
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Paintings of Foreigners in 18th Dynasty Theban Tombs, 1550-1372 BCE
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