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Borrando la ficción de la identidad: La intersubjetividad
como base para una nueva historiografía
Erasing the Fiction of Identity: Intersubjectivity as a base for
a new historiography
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Mexico, Interrupted: The Idea of Work in Mexican Cultural
Production, 1857-1952
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Violent Stages: Excess, Memory and Ritual in ContemporaryTheater in Bogotá
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Negrometraje, Literature and Race in Revolutionary Cuba
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Cultivating the State: Migrants, Citizenship and the Transformation of the Bolivian Lowlands, 1952-2000
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Becoming Modern at the Movies: Gender, Class, and Urban Space in
Twentieth-Century Brazil
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Fisuras inquisitoriales, voces femeninas y hechicería en
Cartagena de Indias
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From Shipmates to Soldiers: Emerging Black Identities in
Montevideo, 1770-1850
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From "German Danger" to German-Brazilian President: Immigration, ethnicity, and the making of Brazilian identities, 1924-1974
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Uncomfortable Partners: The Franciscans of Córdoba,
1767-1829
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