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Andean Concepts and Scripted Pictures: Ukhu, Sight, and Sound in the Drawings of Guaman Poma de Ayala
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Constructions of Value through Primitivism and Authenticity in African Art Auction Catalogues, 2000–2020
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The Next Larger Thing: The “Open” Work at Mid-century
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Saving Roman Painting: The Antiquarian Reproductions of Pietro Santi Bartoli (1635-1700)
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The Architecture of Red Los Angeles: Building Low-Cost Housing Communities for a Postwar Future, 1940-1960
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Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae crucis," c. 810-1600 CE
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Roman Imperial Cinerary Urns: Production and Display
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Reinventing Guercino: Prints, Pedagogy and the Role of Imitation
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Meaning, Materiality, and Pothos in Late Antique Gold-Glass Portraits
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Silent Eloquence: The Rhetorical Pictures of Biblical History by Hendrick Goltzius and Pieter Lastman
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Frederick Sommer: Photography at the Limits of the Avant-Garde
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The Virgin, the Saints, and the Reconquest: Marian Cult Images in Medieval Toledo and Iberia
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Treasuries, Invention, and the Teodelinda Chapel in Monza
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Domūs and Insulae in the City of Rome: Living Spaces, Design, and Development
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Making the Ordered Cosmos: The Gigantomachy in Archaic and Classical Athenian Vase Painting
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Domitian and Minerva at Rome: Iconography and Divine Sanction in the Eternal City
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Paolo Veneziano's Santa Chiara Polyptych and the Media of Devotion in Fourteenth-Century Venice
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The Kleophrades Painter and His World
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Creation of Ritual Space in the Non-Royal Tombs of Amarna
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Designing the Divine: The Construction of Cult Statues in the Second Century BCE
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