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Degree
MA
删除限定条件 Degree: MA
Department
Film and Media Studies
删除限定条件 Department: Film and Media Studies
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Jim Brown: Cinematic Integration and Re-Segregation,1967-1972
Repurposing Media's Architectures: The Transformative Power of the Gimmick
Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935
Animating Biopolitics: Spaces and Bodies in Mamoru Oshii's Ghost in the Shell
Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon
What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes'...
Behind Open Doors: The Cinematic Spaces of the Slasher Film
Song of the Sea: A "Stolen" Irish Moment for Every Viewer
Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
The Doomed Adventure: Narratives of Disillusion in Post-World War I American Cinema
In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar
Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and H...
Specters and Spectacles: The Crime Serials of Louis Feuillade
Gods and Monsters in Splice, Prometheus, and Our Genetic Imaginary: A Gene-centric Evo...
Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
Branded Developments: The HBO Serial and Beyond
Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood
Social Death in the Work of Julie Dash
Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and ...
Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film C...
"Does a Rose Speak When Spoken To?": Rococo Aesthetics and VisualResistance ...
Flawlessly Negotiating Femininity: Beyonce Knowles, Nicki Minaj, and Pop Feminism
Death and the Diagonal Display: Cinema's Planned Obsolescence in the Screen-Captur...
Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror...
Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
The Reluctant Auteur: George Miller's Cinema of Collaboration
Absurd Parody for Nostalgic Night Owls: Understanding Adult Swim's Offensive Content
History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Conte...
Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentar...
Impasse of David Bordwell's Model of Film Study
The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in ...
It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
The Austro-Comedy and the Brenner Trilogy
The Signifyin (g) Tradition of the Hip-hop Music Video
Atonement in Adaptation
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and th...
Derrida and The Future of Complex Narrative Television
The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's ...
TV to Talk About: The CW and Post-Network Television
Envisioning the City: Moscow in the Mind and on Film
The Word Viewed: Conversation on Film
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Year
2015
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School
Laney Graduate School
45
Department
Film and Media Studies
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Degree
MA
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Submission Type
Master's Thesis
45
Research Field
Cinema
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Gender Studies
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Mass Communications
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Literature, General
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Multimedia Communications
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Committee
Schreiber, Michele, Emory University
28
Oeler, Karla, Emory University
21
Bernstein, Matthew, Emory University
19
Reynolds, Daniel , Emory University
16
Mueller, Eddy Von, Emory University
15
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Keyword
television
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Film
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film
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Animation
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David Lynch
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