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Better for Having Known Him? Feminine Desire inMiddlemarch and Daniel Deronda
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Eighteenth-Century Fiction and the Case of Female Identity: An
Investigation into the Heroines of Eliza Haywood's Fantomina and
Jane Austen's Northanger Abbey
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Slaughterhouse-Five as Catharsis: How Vonnegut comes to
terms with World War II, Vietnam, and the General Ominousness of
the Atomic Age
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After the Crash: Post-Celtic Tiger Literature in Ireland
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Every Girl Is a Riot Grrrl? Exploring the Intersections of Riot
Grrrl and the Third Wave of Feminism
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The "Ocular Proof": An Exploration of Sight, Love, and Society
on the Shakespearean Stage
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Representations of Charitable Relationships in Jane Eyre and
Middlemarch
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Hermeneutics and Heterotopias in Shakespeare's The
Tempest and the Cult TV Series LOST
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Time and Space, Truth and Fiction in the Works of H. G. Wells and
Henry James
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Creative Chaos: The Role of Creativity in Brave New World, 1984,
Fahrenheit 451, and Walden Two
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Peter: Creator and Controller
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The New British Nature Writing: Seamus Heaney and Roger Deakin'sEcological Archive
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Narratives of Deception: Confronting Disorder in Heart of
Darkness
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Elizabeth and the Women of The Faerie Queene
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The Occult as Narrative and Thematic Device in James Joyce'sUlysses
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Stone Walls Do Not A Prison Make: Reclaiming Agency through
Narrative in Jean Rhys' _Good Morning, Midnight_ and Charlotte
Bronte's _Villette_
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"For to End Yet Again": Continuity and Closure in Samuel
Beckett's Fizzles
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Pierce the Sky
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Becoming British: The Transformation of Scottish National Identity
in the Long Eighteenth Century
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Cloaks and Daggers: The Functions of Deceit in Paradise Lost
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