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The Most Refractory Medium: Albert
Renger-Patzsch, Edward Weston, László Moholy-Nagy
and Photographic Discourse circa 1929
1 of 20
Creation and Deception in the Evolution of Art Forgery
2 of 20
Visibility and Impact: The Role of Color on the Parthenon's Ionic
Frieze
3 of 20
Time, Activity, Process, and Documentation: An Exploration of
Contemporary Sculpture and Installation
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Bernini, Ovid, and the Art of Active Reading
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Essentialism and Performativity in the Work of Ana Mendieta
6 of 20
Construction and Collapse on Paper: Clades Judacae Gentis of
Maarten van Heemskerck, 1569
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Augustanization of Sacred Space: The Sanctuary of Apollo in Pompeii
8 of 20
Confronting Elsie Palmer: John Singer Sargent as a Painter of
Real Women
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'Bursting the Seams': The Evolution of Archigram's Nomadic Living
Units
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Self-Knowledge in Late Modernity: Hegel, Culture and Contemporary
Art
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The Plant Teachers:
Trichocereus and Anadenanthera in the Imagery of
Tiwanaku's Bennett Monolith
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Mother of the Mountains: the Virgin Mary as a Bridge from the Inka
Past to Post-Colonial Christian-Andean Religiosity
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A Series of Series
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Laszlo Moholy-Nagy: Painting and Bio-politics
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"A Careful Cruelty, A Patient Hate": Degas' Bathers in Pastel and
Sculpture
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The Painter as Architect: Two Decorative Commissions by Henri
Matisse
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Chinese Propaganda Posters in Mao's Patriotic Health Movements:
From Four Pests to SARS
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A Study of Mythological Figures in Catacomb Art
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Degas's Modernism
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