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The Transformation of a Goddess: Depictions of Isis throughout the
Ancient Mediterranean World
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Faking it: The Problem of Forgeries in Gandharan Art and the
Michael C. Carlos Museum Narrative Frieze
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Peter Paul Rubens' Union of Earth and Water: the Artist and the
Allegories of Peace
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Selling the Indian Other: The Commodification of Hopi Katsinam Spirit Figures
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Seeing and Not Seeing the Reliquary Bust of Saint Yrieix
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'Dis'-abilities as Divine: Bodily Anomalies and Shamanic Power in
Ancient Costa Rican Ceramic Effigies
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Visual Constructions of a Color-Blind Society: Post-Black Art and
Color-Blind Racism
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The European Image in West African Masquerades and Spirit
Possession
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Patronage and Painting in the Sixteenth-Century Dutch Low Countries
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Performing the Museum: Memory, Meaning-Making and Identity
Production at the National Museum of the American Indian
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Iohannes Malbodius Pingebat: The Poetry of Jan Gossaert's
Painting
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Degas's Modernism
12 of 20
A Study of Mythological Figures in Catacomb Art
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The Painter as Architect: Two Decorative Commissions by Henri
Matisse
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Laszlo Moholy-Nagy: Painting and Bio-politics
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"A Careful Cruelty, A Patient Hate": Degas' Bathers in Pastel and
Sculpture
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The Plant Teachers:
Trichocereus and Anadenanthera in the Imagery of
Tiwanaku's Bennett Monolith
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'Bursting the Seams': The Evolution of Archigram's Nomadic Living
Units
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Confronting Elsie Palmer: John Singer Sargent as a Painter of
Real Women
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Construction and Collapse on Paper: Clades Judacae Gentis of
Maarten van Heemskerck, 1569
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