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The Word Viewed: Conversation on Film
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TV to Talk About: The CW and Post-Network Television
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The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's INLAND EMPIRE
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Derrida and The Future of Complex Narrative Television
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Liminal Bodies in Unstable Media: Performance CaptureTechnology, the Performer, and the Gendered Body in Beyond: TwoSouls and The Congress
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The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
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It Takes Two: What the Duplass Brothers Mean for the Independent Film Industry
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Impasse of David Bordwell's Model of Film Study
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Still Alive: South Korean Comfort Women of World War II Through the Lens of Documentary Film
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History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
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Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
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Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror Story and Homeland
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Death and the Diagonal Display: Cinema's Planned Obsolescence in the Screen-Captured Image
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Flawlessly Negotiating Femininity: Beyonce Knowles, Nicki Minaj, and Pop Feminism
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"Does a Rose Speak When Spoken To?": Rococo Aesthetics and VisualResistance in Jacques Demy's Lady Oscar
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Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film Costume and the Female Spectator
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Social Death in the Work of Julie Dash
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Branded Developments: The HBO Serial and Beyond
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Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
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Specters and Spectacles: The Crime Serials of Louis Feuillade
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Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and Hidden Details
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In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar
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Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
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Song of the Sea: A "Stolen" Irish Moment for Every Viewer
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Rereading Madness, Sexuality, and Political Dissent in the Major
Plays of Tennessee Williams
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Behind Open Doors: The Cinematic Spaces of the Slasher Film
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What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes' Safe
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Forging Divinity: Warner Bros.' Role in the Creation of the James Dean Icon
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Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935
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Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema
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Supremacy versus Solidarity: Holding White Womanhood Accountable in Candyman and Get Out
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