Search Constraints
Search Results
Select an image to start the slideshow
Orson Welles, Shakespeare, and Cultural Authority
1 of 27
L'Oubli pour mémoire: l'expérience liminaire desnon-lieux
2 of 27
History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
3 of 27
The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in the Woods'
4 of 27
Taking Place: Rhetoric of Abstract Space and Construction of Literary Architectures
5 of 27
Atonement in Adaptation
6 of 27
Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
7 of 27
What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes' Safe
8 of 27
Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
9 of 27
Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and Hidden Details
10 of 27
Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
11 of 27
Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood
12 of 27
Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and Tati
13 of 27
Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film Costume and the Female Spectator
14 of 27
The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's INLAND EMPIRE
15 of 27
Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror Story and Homeland
16 of 27
Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
17 of 27
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
18 of 27
The Austro-Comedy and the Brenner Trilogy
19 of 27
Envisioning the City: Moscow in the Mind and on Film
20 of 27
sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Contemporary Delinquent Film Cycle
21 of 27
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
22 of 27
The Word Viewed: Conversation on Film
23 of 27
"A Profane Miracle": Modernity and the Accident in American
Literature and Film, 1925-1934
24 of 27
Curation and Cinema
25 of 27
Artificial Generation: The Hybridization of Female and Form in
Gautier, Villiers, Wilde, Hitchcock
26 of 27
Writing the Unseen: Envisioning the Face in the Works of Marguerite
Duras and Hélène Cixous
27 of 27