Search Constraints
Search Results
Select an image to start the slideshow
Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
1 of 21
What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes' Safe
2 of 21
Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
3 of 21
Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and Hidden Details
4 of 21
Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
5 of 21
Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood
6 of 21
Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and Tati
7 of 21
Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film Costume and the Female Spectator
8 of 21
Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror Story and Homeland
9 of 21
Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
10 of 21
History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
11 of 21
sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Contemporary Delinquent Film Cycle
12 of 21
The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in the Woods'
13 of 21
Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
14 of 21
The Austro-Comedy and the Brenner Trilogy
15 of 21
Atonement in Adaptation
16 of 21
The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
17 of 21
The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's INLAND EMPIRE
18 of 21
TV to Talk About: The CW and Post-Network Television
19 of 21
Envisioning the City: Moscow in the Mind and on Film
20 of 21
The Word Viewed: Conversation on Film
21 of 21