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The Word Viewed: Conversation on Film
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TV to Talk About: The CW and Post-Network Television
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Envisioning the City: Moscow in the Mind and on Film
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The Mind Can Go Dreaming: the Narrative and Aesthetic Revolution of David Lynch's INLAND EMPIRE
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The Rózsa Touch: Challenging Classical Hollywood Norms Through Music
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Atonement in Adaptation
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The Austro-Comedy and the Brenner Trilogy
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Masculinity, Masturbation and Writing in Portnoy's Complaint andAdaptation
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The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in the Woods'
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sex, lies, (drugs, violence, neglect, angst, suicide) andvideotape: Defining the Contemporary Delinquent Film Cycle
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History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman
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Phenomenal Encounters: Film, Disability, and the Ambivalence of Embodiment
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Haunting the Hetero-Home: Narrative Spectacle and CulturalFantasies in American Horror Story and Homeland
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Coco Chanel in Hollywood: What Her One Year in Hollywood Reveals About Fashion, Film Costume and the Female Spectator
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Puzzling Pictures: Game Structures and Playful Spectatorship in Hitchcock, Resais and Tati
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Bite Me: Desire and the Female Spectator in Twilight, The Vampire Diaries, and True Blood
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Bits and Pieces: Brutality in Millennial Horror Films and French Art Cinema
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Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and Hidden Details
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Back to the Grindhouse: Neo-Exploitation in Contemporary American Cinema
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What Is Wrong With Carol?: Narrative, Genre, Feminism, and Language in Todd Haynes' Safe
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Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
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