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“A porous vessel afloat on sensation”: Temporal Poetics and the Waves of Subjectivity in the Work of Virginia Woolf
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It’s Alive? Bias Towards Artificial Life in Frankenstein, Blade Runner, Do Androids Dream of Electric Sheep?, and Klara and the Sun
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Must We Mortify?: Jane Austen, Gender, and the Uses of Shame
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Queer Fear: Vampirism and the Transmittable Evil of Homoeroticism
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Better for Having Known Him? Feminine Desire inMiddlemarch and Daniel Deronda
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Lyric Relations: Poetic Intersubjectivity in the Long Eighteenth
Century
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Eighteenth-Century Fiction and the Case of Female Identity: An
Investigation into the Heroines of Eliza Haywood's Fantomina and
Jane Austen's Northanger Abbey
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After the Crash: Post-Celtic Tiger Literature in Ireland
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Food and the Female Body: Paralleling the Food Market and the
Prostitution Market in John Cleland's Fanny Hill
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The "Ocular Proof": An Exploration of Sight, Love, and Society
on the Shakespearean Stage
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Representations of Charitable Relationships in Jane Eyre and
Middlemarch
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Creative Chaos: The Role of Creativity in Brave New World, 1984,
Fahrenheit 451, and Walden Two
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After Skepticism: Hume and the Political Aesthetics of Romanticism
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The Artistic Vision of the Androgynous Female: An Exploration of Patterned Symbolism and Gender Constructs in the Lifework of Virginia Woolf
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A Study of the Varying Perspectives of Marriage in Jane Eyre,
Middlemarch, and Jude the Obscure
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Chronic Habits: The Literature of Dissipation in the Long Eighteenth Century
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A World at Play: Metatheatrics in Hamlet
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Disability and Morality in The Canterbury Tales
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From Her Head: Finding the Romantic Genius in Jane Eyre
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“The Gothic Marriage Plot”: Gothic Realism as Resistance to Patriarchy in the Fiction of Jane Austen, Elizabeth Gaskell, and Anne Brontë
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