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Changes
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Something worth saying.
2 di 11
A Briarcliff Document: Photography, Place, and Atlanta History
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Acknowledging Difference: Looking at Film, Looking at Food
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Entre Lineas | Between Lines: Mobility, Temporality, and
Performance at a Mexico-U.S. Border Checkpoint
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Practicing the Past: Socially Engaged Remembering in Contemporary
Art
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The Landscape of Experience: Photographing the National Park Tourist
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A Photographic Translation: Unearthing A New Spiritual Language
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A Series of Series
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Picturing the Modern Self: Politics Identity and Self Fashioning in
Lagos, 1861-1934
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We Are Francesca Woodman
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