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Who's Ideal Is It Anyway? Men and Women Professionals' Response
to the Ideal Worker Norm
1 of 20
A Voice In The Room: The Evolution of Economic and Aesthetic
Legitimacies for Daytime Soap Operas in the United States,
1930-2009
2 of 20
You Can't Always Get What You Want: Gatekeeping and Social
Capital in the Live-Music Scenes of Atlanta and Taipei
3 of 20
Wine Tastes: The Production of Culture among Service Workers and
Consumers in Napa Valley Wineries
4 of 20
Policy and Competition: The Development of the Cable Television
Industry in the United States
5 of 20
Moving Newspapers Online: Newspaper Diversification and Viability
(1990-2010)
6 of 20
Rigidity and Fluidity of the Musical Canon: A Study of SymphonyOrchestra Repertoire
7 of 20
From Lobbying to Lockdowns: Tactical Choices Among Environmental
Justice Organizations
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You Are What You Hear: The Relationship Among Race,Class, Genderand Musical Taste
9 of 20
The Policy Behind the Problem: How Education Reform Impacts the
Teaching Environment
10 of 20
Religious Organizations Crossing Boundaries: The Centrifugal Expansion of U.S.-based Mission Agencies
11 of 20
Capital Gains: A Bourdieusian Map of the United States
12 of 20
Giving Back in a Profit-Driven World: Corporate Social
Responsibility in the Mutual Fund Industry
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How to Feed a Baby: Global Processes and Individual Choices
14 of 20
The Persistence of Memory: The Consecration of Artists in the US
Field of Modern Art
15 of 20
Risky Business: The Social Construction of Country Risk Ratings
16 of 20
Social Change and Musical Classification Systems: The US, France,
Germany, and the Netherlands, 1955-2005
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The Transformation of the U.S. Feminist Movement, 1910-2005
18 of 20
Racial Differences in Net Activism? Quantitative Analysis of Black
Political Action Online
19 of 20
International Associations at the Nexus of Globalization, Religion,
and Human Rights
20 of 20