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C. Jean Campbell, Emory University
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Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae crucis," c. 810-1600 CE
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Silent Eloquence: The Rhetorical Pictures of Biblical History by Hendrick Goltzius and Pieter Lastman
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Reinventing Guercino: Prints, Pedagogy and the Role of Imitation
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Performance and Imitation: The Devotional Images of Sofonisba Anguissola
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Paolo Veneziano's Santa Chiara Polyptych and the Media of Devotion in Fourteenth-Century Venice
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An Illness of the Body and Soul: Visual Cultures of the French Disease in Early Modern Italy, 1495-1700
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The Virgin, the Saints, and the Reconquest: Marian Cult Images in Medieval Toledo and Iberia
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Treasuries, Invention, and the Teodelinda Chapel in Monza
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Modernity in the Photographs of Eugène Atget
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