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The Grotto-Complex in Tiberius’s Villa at Sperlonga: Experientiality, Immersion, and Owner-as-Spectacle
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Design and Construction of a Tensile and Shear Strength Testing Apparatus to Study the Addition of Fumed Silica to the Acrylic Adhesive B-72 Used in Art Conservation
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The Power of Sight: A Reexamination of Guercino and Poussin’s Et in Arcadia Ego Paintings In Light of Early Modern Vision Theory
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Eco-Visionary Media: Art as Activism in Björk’s Audiovisual Production
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Trojan Prophecy and Golden Offerings: Tripods in Late Republican and Early Imperial Roman Art
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Icons of Royal Power: Viewing the Rhetoric of the Royal Psalms in the Context of Ancient Near Eastern Royal Art
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The Virgin, the Saints, and the Reconquest: Marian Cult Images in Medieval Toledo and Iberia
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The Cultural Legacy of Metabolism: From Local to Global
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Making the Ordered Cosmos: The Gigantomachy in Archaic and Classical Athenian Vase Painting
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Treasuries, Invention, and the Teodelinda Chapel in Monza
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