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Animating Biopolitics: Spaces and Bodies in Mamoru Oshii's Ghost in the Shell
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Three Approaches to the History of Poverty Row: Majestic Pictures, 1930-1935
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Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt
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Repurposing Media's Architectures: The Transformative Power of the Gimmick
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Jim Brown: Cinematic Integration and Re-Segregation,1967-1972
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Meet Me at the Margins: Performing Resistance to Police Brutality
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Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema
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Supremacy versus Solidarity: Holding White Womanhood Accountable in Candyman and Get Out
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