Buscar
« Anterior |
1 - 50 de 159
|
Siguiente »
Resultados de la búsqueda
Select an image to start the slideshow
Constructing Intelligibility Within the Unintelligible: Identity as
an Enabling Restriction in Joseph Conrad's Heart of Darkness, Lord
Jim, and The Secret Agent
1 of 50
Nomad Memory: Inscribing Orality in Literatures of the Americas and
South Asia
2 of 50
The Mother of a Nation: A Historical and Theatrical Exploration of
the Devolution of Mother Ireland
3 of 50
The Insensible Sliding Process: Hawthorne, Melville, and
Historical Memory
4 of 50
A Study of the Varying Perspectives of Marriage in Jane Eyre,
Middlemarch, and Jude the Obscure
5 of 50
From Time to Eternity: Augustine, Milton, and the Problem of
Reconciling the Eternal with the Temporal
6 of 50
Africa Persists: The Transformative Powers of Jazz, Blues, Samba
and Bossa Nova
7 of 50
Eliot among the Women
8 of 50
Muscular Bodies and Formations of Masculinity and Impairment in
Shakespearean Drama
9 of 50
The Gift of Poetry in Romantic and Post-Romantic Literature
10 of 50
In the Shadow of the Plot: Representations of Muslim Terrorists in
9/11 Literature
11 of 50
A Hebraic Modernity: Poetry, Prayer, and Translation in the Long
Eighteenth Century
12 of 50
Archival Bodies: Twentieth-Century British, Irish, and American
Literary Collections
13 of 50
Memento Mori: Shakespeare Revivifies the Moribund
14 of 50
Spectral Artifacts: Natural Supernaturalism and Commodity Fetishism
in Romantic Literature
15 of 50
Cloaks and Daggers: The Functions of Deceit in Paradise Lost
16 of 50
Becoming British: The Transformation of Scottish National Identity
in the Long Eighteenth Century
17 of 50
"For to End Yet Again": Continuity and Closure in Samuel
Beckett's Fizzles
18 of 50
Mediating the Sensational in The Spanish Tragedy
19 of 50
Stone Walls Do Not A Prison Make: Reclaiming Agency through
Narrative in Jean Rhys' _Good Morning, Midnight_ and Charlotte
Bronte's _Villette_
20 of 50
Legacies of Loss: Traumatic Aftermaths in Twentieth-Century
Literature
21 of 50
The Tears of Dionysus: the Birth of Catastrophic Theater in British
Drama
22 of 50
"In the midst of Life, we are in Death:" Melancholia and Ecology in
British Romantic Poetry
23 of 50
The Epigraphic Character: Fiction and Metafiction in the
Twentieth-Century Novel
24 of 50
The Senselessness of an Ending in Wordsworth, P. B. Shelley, and
Keats
25 of 50
Elizabeth and the Women of The Faerie Queene
26 of 50
Narratives of Deception: Confronting Disorder in Heart of
Darkness
27 of 50
Wax Figures and Forms in Early Modern Literature
28 of 50
Peter: Creator and Controller
29 of 50
Creative Chaos: The Role of Creativity in Brave New World, 1984,
Fahrenheit 451, and Walden Two
30 of 50
Surviving Folklore: Transnational Irish Folk Traditions and the
Politics of Genre
31 of 50
Time and Space, Truth and Fiction in the Works of H. G. Wells and
Henry James
32 of 50
Hermeneutics and Heterotopias in Shakespeare's The
Tempest and the Cult TV Series LOST
33 of 50
Audience Communities: Early Modern Desire in Post-1956 British
Performance
34 of 50
The Baseless Fabric: Literary Worlds and Global Relations in
English Renaissance Literature
35 of 50
Novel Chiaroscuro: Inspired Blackness in the Mid-Victorian Novel
36 of 50
Representations of Charitable Relationships in Jane Eyre and
Middlemarch
37 of 50
The "Ocular Proof": An Exploration of Sight, Love, and Society
on the Shakespearean Stage
38 of 50
Dead Center: The Invention of Character in the Language of
Modernism
39 of 50
Hurt Into Poetry: The Politics of Sentiment in Northern Irish
Poetry, 1966-1998
40 of 50
Killing Time on the Early Modern Stage: Tempo, Judgment, and the
Art of Defense
41 of 50
Every Girl Is a Riot Grrrl? Exploring the Intersections of Riot
Grrrl and the Third Wave of Feminism
42 of 50
Food and the Female Body: Paralleling the Food Market and the
Prostitution Market in John Cleland's Fanny Hill
43 of 50
All the Dead Voices: Communicating Across the Grave in Contemporary
Northern Irish Poetry
44 of 50
Eighteenth-Century Fiction and the Case of Female Identity: An
Investigation into the Heroines of Eliza Haywood's Fantomina and
Jane Austen's Northanger Abbey
45 of 50
Poetic Visions: Figures of Sight and Feminine Subjectivity in the
Works of Sylvia Plath, Anne Carson, and Mei-mei Berssenbrugge
46 of 50
Slaughterhouse-Five as Catharsis: How Vonnegut comes to
terms with World War II, Vietnam, and the General Ominousness of
the Atomic Age
47 of 50
Wasting Romanticism: Melancholic Hunger and Maternal Remains in
Mary Shelley, Thomas De Quincey, and Emily Brontë
48 of 50
Hoarding the Renaissance: The Matter of Ecology in Marlowe,
Shakespeare, and Middleton
49 of 50
Counting the dead as "one" and "one again" in the fiction of
twentieth-century Irish women novelists
50 of 50