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Beneath the Lihaaf: Sites of Freedom and Imprisonment in Ismat Chughtai's The Crooked Line and The Quilt
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Gamelan is in Our Blood. From Imitation to Internalization: How Appropriation and Assimilation of the "Other" Have Defined Impressionism and Minimalism
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'The Rules of God': The Practice of Religion and Law in Rural
Bangladesh
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Making, Negotiating, and Maintaining Identity: Gendered Racialization of Immigrant Bangladeshi Women
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An Itinerary of Silence: Saadat Hasan Manto's Gendered Narratives of the 1947 Partition of British India
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