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Walter Melion, Emory University
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Saving Roman Painting: The Antiquarian Reproductions of Pietro Santi Bartoli (1635-1700)
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Fountains of Blood: Sanguine Devotion at Chateau de Boumois
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Looking and Listening: Multi-Sensorial Frequencies of Vernacular Photography in Samuel Fosso’s 70s Lifestyle
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Word, Image, and Copy: The Reception of Hrabanus Maurus's "In honorem sanctae crucis," c. 810-1600 CE
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Roman Imperial Cinerary Urns: Production and Display
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Paolo Veneziano's Santa Chiara Polyptych and the Media of Devotion in Fourteenth-Century Venice
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The Other Englishman: Bernini’s Bust of Thomas Baker (1638)
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The Virgin, the Saints, and the Reconquest: Marian Cult Images in Medieval Toledo and Iberia
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