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An Investigation into the Prosody of Camouflaged Forms in African American English: Past-Tense Ain’t
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Show Me the Gukhip: Representation of South Korean Hip-Hop on TV and Film
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Gamelan is in Our Blood. From Imitation to Internalization: How Appropriation and Assimilation of the "Other" Have Defined Impressionism and Minimalism
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Creating New Spaces: Constructing and Performing Gender in Mandarin-Language Popular Music of the People’s Republic of China, Post-1997
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