Curation and Cinema

The Horror of "Us": Nihilistic Conceptions of Humanity in 'The Cabin in the Woods'

History as Ghost in the Films of Sophie Bredier, Claire Denis, and Chantal Akerman

Reconsideration of Excess in Cinema: Arrested Narrative, Opened Diegetic Spaces, and Hidden Details

Becoming Bill: An Epistemological Look at the Career and Films of Don Hertzfeldt